Internationally bestselling author Tess Gerritsen took an unusual route to a writing career. A graduate of Stanford University, Tess went on to medical school at the University of California, San Francisco, where she was awarded her M.D.
While on maternity leave from her work as a physician, she began to write fiction. In 1987, her first novel was published. Call After Midnight, a romantic thriller, was followed by eight more romantic suspense novels. She also wrote a screenplay, “Adrift”, which aired as a 1993 CBS Movie of the Week starring Kate Jackson… More Info…
The crime scene is unlike any that Detective Rizzoli and medical examiner Maura Isles have ever before encountered. The woman lies in apparently peaceful repose on her bed, and Maura finds no apparent cause of death, but there is no doubt the woman is indeed dead. The victim’s eyes have been removed and placed in the palm of her hand, a gesture that echoes the terrifying films she produces. Is a crazed movie fan reenacting scenes from those disturbing films?
When another victim is found, again with no apparent cause of death, again with a grotesquely staged crime scene, Jane and Maura realize the killer has widened his circle of targets. He’s chosen one particular woman for his next victim, and she knows he’s coming for her next. She’s the only one who can help Jane and Maura catch the killer.
But she knows a secret. And it’s a secret she’ll never tell.
About the book
First of all I bought this book (ebook) for € 2.99 instead of € 11.99. Good deal I would say, it was discounted for a day on kobo and I was lucky to be aware of it (I usually don’t look the offers of the day every day). I like this series, I started reading it because I watched the TV series Rizzoli & Isles that I haven’t finished, anyway. I like Rizzoli and also Maura, even if I prefer Maura from the series.
I give four stars to this book because I understood almost everything about in the middle of the book, right after Billy’s disappearance. But it doesn’t mean that the book isn’t compelling. I started to be more involved when the 20 year old case was brought to light and it was clear that that story wasn’t completely resolved.
In a masterly new thriller by the New York Times bestselling author of the Rizzoli & Isles series, a beautiful violinist is haunted by a very old piece of music she finds in a strange antique shop in Rome. The first time Julia Ansdell picks up “The Incendio Waltz,” she knows it's a strikingly unusual composition. But while playing the piece, Julia blacks out and awakens to find her young daughter implicated in acts of surprising violence. And when she travels to Venice to find the previous owner of the music, she uncovers a dark secret that involves dangerously powerful people—a family who would stop at nothing to keep Julia from bringing the truth to light.
About the Book
This is my 250th read book registered on Goodread website, obviously it isn’t my 250th read overall in my life since I’m sure I forgot to add a lot of books to the website but I would like to start this category with this book.
I’m used to Tess Gerritsen’s books, or rather I read her Rizzoli & Isles series thanks to the TV show which introduced me to Rizzoli’s character, so when I saw this book in the “suggested” column of my Kobo account, I said why not? As usual I read the word “violent” in the summary and think it’s a mystery/thriller genre. Oh I was so wrong! At first, coming from a mystery/fantasy book in which supernatural was the key to the book (which I didn’t like) I thought “oh gosh, no! Not another book like the previous one!” but when I started the second part (the first Lorenzo’s section) I was blown away. I couldn’t rest until I finished the book.
All my book reviews are and will be 100% honest. I don’t get paid to write them and I don’t get “gifts” to write a good review so what I write, is what I think. If I love a book, I’m going to say that, if I don’t like a book, I will write why I don’t. My critics aren’t an attack to the author, they are just how I feel about a subject or a style.