Historical fiction presents a story set in the past, often during a significant time period. In historical fiction, the time period is an important part of the setting and often of the story itself.
Historical fiction may include fictional characters, well-known historical figures or a mixture of the two. Authors of historical fiction usually pay close attention to the details of their stories (settings, clothing, dialogue, etc.) to ensure that they fit the time periods in which the narratives take place.
Set in Lombardy during the Spanish occupation of the late 1620s, The Betrothed tells the story of two young lovers, Renzo and Lucia, prevented from marrying by the petty tyrant Don Rodrigo, who desires Lucia for himself. Forced to flee, they are then cruelly separated, and must face many dangers including plague, famine and imprisonment, and confront a variety of strange characters—the mysterious Nun of Monza, the fiery Father Cristoforo and the sinister “Unnamed”—in their struggle to be reunited. A vigorous portrayal of enduring passion, The Betrothed‘s exploration of love, power, and faith presents a whirling panorama of seventeenth-century Italian life and is one of the greatest European historical novels.
“The 19th-century Italian literary classic renowned for its vivid descriptions of the 1630 pestilence that gutted Milan.” —The New York Times
“Compulsory reading for Italian high school students, The Betrothed gives a historically accurate account of the bubonic plague that wiped out a quarter of Milan’s population in 1629-1631.” —Politico
“This is not just a book; it offers consolation to the whole of humanity.” —Giuseppe Verdi
About the book
The Betrothed is the first novel written by an Italian author and is a milestone in our literature. Everyone, or almost everyone, studied this book in high school, especially those who attended a “liceo” (I’m not going to explain the difference among all the high schools we have) or an advanced technical institute (usually in the second grade which is 10th grade for non-Italians).
With Manzoni, Italian fiction adapts to the modern reality already present in France and England for more than a century, thus guaranteeing the return of our literature in Europe after a crisis that lasted more than two centuries.
Two cultural strands converge in The Betrothed: the Lombard Enlightenment which aims to bring the intellectual closer to society and the Romanticism with its attention to national history. Without Manzoni there would have been no history of the novel in Italy.
The chronicles of maple and cherry tree form a tetralogy set in seventeenth-century Japan. We follow two heroes, Ichirō, a young samurai with a fabulous destiny, and the mysterious Hiinahime, a stranger who hides behind a Nō mask. In the first two volumes the narrator is Ichirō, in the other two it will be the heroine Hiinahime's turn to tell the story. The first volume, entitled The Nō Mask, traces Ichirō's life from childhood to adolescence. Abandoned, Ichirō is raised as a son by an unknown samurai who teaches him the way of the sword. The boy will live a solitary existence in the mountains, in the heart of a wild nature and at the rhythm of the seasons, between moments of bliss and lightheartedness and an apprenticeship that requires perseverance and courage. But one tragic night, Ichirō's life is turned upside down by the attack of shady samurai. Destiny will then take him to Edo (ancient Tokyo), where he will begin performing in kabuki theaters; there he will make his first friendships and meet Hiinahime, the unknown woman with the Nō mask.
About the book
First book in the series set in Edo period Japan (17th century) entitled Les chroniques de l’érable et du cerisier which, from the Italan translation (sorry don’t know any French) should be The Chronicles of Maple and Cherry tree, a very intriguing title. We are in the period in which the Tokugawa family holds the maximum political and military power in Japan, a period of isolation and persecution of Christians.
The book begins with a Master, a former samurai, who finds a child in a biwa shell in the forest near his isolated mountain home. He takes him home and together with the housekeeper he raises him as if he were his son. The latter, Ichirō, is raised with samurai teachings, of which the Master is an expert, until the Master’s past comes knocking on the door of the isolated house and Ichirō is catapulted into ancient Edo (current Tokyo) where, to survive, he has to beg and live on the streets, until he meets a poet who will help him find work. He also discovers the Kabuki theater and thanks to this, he makes his first friends. In Edo he also meets Hiinahime, a girl who hides behind a mask of the Nō theater.
The beautiful, immature girl whom she took home to her husband was a maid only in name. Tomo's real mission had been to find him a mistress. Nor did her secret humiliation end there. The web that his insatiable lust spun about him soon trapped another young woman, and another ... and the relationships between the women thus caught were to form, over the years, a subtle, shifting pattern in which they all played a part. There was Suga, the innocent, introspective girl from a respectable but impoverished family; the outgoing, cheerful, almost boyish Yumi; the flirtatious, seductive Miya, who soon found her father-in-law more dependable as a man than his brutish son.... And at the center, rejected yet dominating them all, the near tragic figure of the wife Tomo, whose passionate heart was always, until that final day, held in check by an old-fashioned code.
In a series of colorful, unforgettable scenes, Enchi brilliantly handles the human interplay within the ill-fated Shirakawa family. Japan's leading woman novelist and a member of the prestigious Art Academy, she combines a graceful, evocative style that consciously echoes the Tale of Genji with keen insight and an impressive ability to develop her characters over a long period of time. Her work is rooted deep in the female psychology, and it is her women above all-so clearly differentiated yet all so utterly feminine-who live in the memory. With The Waiting Years, a new and important literary figure makes her debut in the Western world.
About the book
End of Edo Period, a state official asks his wife to find a new concubine among the young ladies who are offered by the most respectable families in Tokyo. Tomo knows that she must obey to her husband but her heart breaks nonetheless.
Japan, 1957. Seventeen-year-old Naoko Nakamura’s prearranged marriage secures her family’s status in their traditional Japanese community. However, Naoko has fallen for an American sailor and to marry him would bring great shame upon her entire family. When it’s learned Naoko carries the sailor’s child, she’s cast out in disgrace and forced to make unimaginable choices with consequences that will ripple across generations.
America, present day. Tori Kovač, caring for her dying father, finds a letter containing a shocking revelation. Setting out to learn the truth, Tori’s journey leads her to a remote seaside village in Japan where she must confront the demons of the past to pave a way for redemption.
Inspired by true stories, The Woman in the White Kimono illuminates a searing portrait of one woman torn between her culture and her heart, and another woman on a journey to discover the true meaning of home.
About the book
The Woman in the White Kimono is a poignant story, which speaks of a rather sad piece of world history. We are in Japan in 1957, therefore after Hiroshima and Nagasaki, with American domination still in progress. But Americans aren’t just invasors and bad people, some are good guys who enrolled in the army while still minors to escape the monotony of their lives. Here we meet Naoko who, together with a friend, meets an American, one day as she returns from school. She calls him Hajime because if her family learns that she has fallen in love with a gaijin (外人), a foreigner, she will surely be prevented from meeting him. But when her father decides it’s time for her to get married, she gets the opportunity to introduce her boyfriend to her family before being forced to marry her father’s chosen suitor, Satoshi.
Things are obviously not going well also because Hajime shows up in American uniform and the family still has a “hate” mentality over the Americans.
Singapore, 1942. As Japanese troops sweep down Malaysia and into Singapore, a village is ransacked, leaving only two survivors and one tiny child.
In a neighboring village, seventeen-year-old Wang Di is strapped into the back of a troop carrier and shipped off to a Japanese military brothel where she is forced into sexual slavery as a "comfort woman." After sixty years of silence, what she saw and experienced still haunts her.
In the year 2000, twelve-year-old Kevin is sitting beside his ailing grandmother when he overhears a mumbled confession. He sets out to discover the truth, wherever it might lead, setting in motion a chain of events he never could have foreseen.
Weaving together two time lines and two very big secrets, this stunning debut opens a window on a little-known period of history, revealing the strength and bravery shown by numerous women in the face of terrible cruelty. Drawing in part on her family's experiences, Jing-Jing Lee has crafted a profoundly moving, unforgettable novel about human resilience, the bonds of family and the courage it takes to confront the past.
About the book
How We Disappeared is a book that narrates the true story of oriental women at the time of the Japanese occupation in China, of how they were kidnapped from their villages, often even in different countries, to be locked up in pleasure homes for Japanese soldiers. We follow the direct story of Wang Di from the time she was born until her old age and of a little boy whose grandmother, on her deathbed, makes a revelation that will upset his life and that of his family.
Premise. This book is not suitable for everyone. There is talk of violence and states of starvation that can hurt the most sensitive minds. And even the strongest ones like it happened to me. So take all precautions to read this book.
All my book reviews are and will be 100% honest. I don’t get paid to write them and I don’t get “gifts” to write a good review so what I write is what I think. If I love a book, I’m going to say that, if I don’t like a book, I will write why I don’t. My critics aren’t an attack to the author, they are just how I feel about a subject or a style. See more in my Review Policy.