Historical fiction presents a story set in the past, often during a significant time period. In historical fiction, the time period is an important part of the setting and often of the story itself.
Historical fiction may include fictional characters, well-known historical figures or a mixture of the two. Authors of historical fiction usually pay close attention to the details of their stories (settings, clothing, dialogue, etc.) to ensure that they fit the time periods in which the narratives take place.
Singapore, 1942. As Japanese troops sweep down Malaysia and into Singapore, a village is ransacked, leaving only two survivors and one tiny child.
In a neighboring village, seventeen-year-old Wang Di is strapped into the back of a troop carrier and shipped off to a Japanese military brothel where she is forced into sexual slavery as a "comfort woman." After sixty years of silence, what she saw and experienced still haunts her.
In the year 2000, twelve-year-old Kevin is sitting beside his ailing grandmother when he overhears a mumbled confession. He sets out to discover the truth, wherever it might lead, setting in motion a chain of events he never could have foreseen.
Weaving together two time lines and two very big secrets, this stunning debut opens a window on a little-known period of history, revealing the strength and bravery shown by numerous women in the face of terrible cruelty. Drawing in part on her family's experiences, Jing-Jing Lee has crafted a profoundly moving, unforgettable novel about human resilience, the bonds of family and the courage it takes to confront the past.
About the book
How We Disappeared is a book that narrates the true story of oriental women at the time of the Japanese occupation in China, of how they were kidnapped from their villages, often even in different countries, to be locked up in pleasure homes for Japanese soldiers. We follow the direct story of Wang Di from the time she was born until her old age and of a little boy whose grandmother, on her deathbed, makes a revelation that will upset his life and that of his family.
Premise. This book is not suitable for everyone. There is talk of violence and states of starvation that can hurt the most sensitive minds. And even the strongest ones like it happened to me. So take all precautions to read this book.
The microbiologist Rebecca De Cardinale is involved by Professor Spinelli and his assistant Alessandro Vinci in the search for Galileo's last missing book, in which it is said that the illustrious astronomer theorized a link between epidemics and the movements of meteorites. The clues to find the manuscript are contained in three letters of Galileo found by Spinelli, but when the professor disappears Rebecca and Alessandro take charge of the research, in a relentless struggle against time to prevent a catastrophic epidemic from affecting the entire humanity.
About the book
I haven’t read any Italian authors for years, I don’t know why I don’t consider the plots at all when I see that the author has the same nationality, maybe I find them not macabre, so I still have to find that author who lets me say “wow this which is a real good book”.
In this book we travel around Italy, looking for a book that was most probably written by Galileo in which he explained his theory of astral motions by linking it to epidemics.
In general, I liked the story except for some things.
Cotton Malone, one-time top operative for the U.S. Justice Department, is enjoying his quiet new life as an antiquarian book dealer in Copenhagen when an unexpected call to action reawakens his hair-trigger instincts–and plunges him back into the cloak-and-dagger world he thought he’d left behind.
It begins with a violent robbery attempt on Cotton’s former supervisor, Stephanie Nelle, who’ s far from home on a mission that has nothing to do with national security. Armed with vital clues to a series of centuries-old puzzles scattered across Europe, she means to crack a mystery that has tantalized scholars and fortune-hunters through the ages by finding the legendary cache of wealth and forbidden knowledge thought to have been lost forever when the order of the Knights Templar was exterminated in the fourteenth century. But she’s not alone. Competing for the historic prize– and desperate for the crucial information Stephanie possesses–is Raymond de Roquefort, a shadowy zealot with an army of assassins at his command.
Welcome or not, Cotton seeks to even the odds in the perilous race. But the more he learns about the ancient conspiracy surrounding the Knights Templar, the more he realizes that even more than lives are at stake. At the end of a lethal game of conquest, rife with intrigue, treachery, and craven lust for power, lies a shattering discovery that could rock the civilized world–and, in the wrong hands, bring it to its knees.
About the book
The Templar Legacy is the first book in the series starring Cotton Malone, a former CIA agent, who retired in Copenhagen, Denmark, where he opened a bookshop of ancient books, his long-standing passion. The book begins when his former boss comes to visit him in Copenhagen and even before she can meet Malone finds herself in a chase through the streets of the city when her purse is snatched. Between blackmail, murder, suicide, betrayal and escapes around Europe, will the former CIA agent solve the mystery?
I like this kind of conspiracies, I like hidden secrets, I like treasure hunts, I like the dark side of people, even the most devoted have one, so the plot intrigued me a lot. Style and details not so much. First of all: if the masters were 66 and have “governed” for 18 years (average) from the XII century onward, something isn’t right in the book, because (66×18 = 1188 years governed in total by the masters) +1150 (year of foundation of the templars) = 2338… and the book was written in 2006… we are not in 2300 now… Can someone please explain this detail to me? Yes, I’m that kind of person who counts and looks after these details.
In 15th century Venice it is a dangerous time to be alive. A permanent winter has rolled in over the canals and bodies keep washing up on the banks of the city. These bodies are especially hard to identify, since they have been skinned.
In the present day, a famous portrait by Titian has been discovered. Its subject: the 15th century suspected murderer Angelico Vespucci. The skins of Vespucci's victims were never found, so his guilt was never proven. Although it is rumoured that when the portrait arises, so will the man. And when flayed bodies start turning up all over the world, it looks like this is more than just a superstition. A murderer has been called back to life, and he is hungry for revenge.
About the book
I read this book for the Popsugar challenge of “Your favorite prompt from the 2015, 2016, or 2017 Popsugar Reading Challenges”, I chose “a book of a female author”. At first I was convinced to read this book for the prompt “book with a heist”, but I remembered the title uncorrectly, even if there is a robbery in the book, but it is a very small fact compared to the actual robbery. Luckily it’s okay for another prompt (not that I wouldn’t read an extra book).
Of the author I read “The Caravaggio Conspiracy” before this and I really liked it. Sometimes (not always) I like intrigues born in the past and then brought into the present. This book starts in 1500 in Venice and ranges from London, Tokyo, New York and Venice itself.
When Gaspare Reni, an art collector, and Nino Bergstrom, his adopted son, come in possession of a Titian painting portraying the sixteenth-century murderer, Angelico Vespucci, they are alarmed by what might happen. There is a rumor that when the painting emerges, the sixteenth-century killer will also return, and in fact, shortly afterwards the one who found the painting is brutally murdered. Will Nino and Gaspare manage to get to the bottom of the painting legend, or will it be too late for the victims?
In a masterly new thriller by the New York Times bestselling author of the Rizzoli & Isles series, a beautiful violinist is haunted by a very old piece of music she finds in a strange antique shop in Rome. The first time Julia Ansdell picks up “The Incendio Waltz,” she knows it's a strikingly unusual composition. But while playing the piece, Julia blacks out and awakens to find her young daughter implicated in acts of surprising violence. And when she travels to Venice to find the previous owner of the music, she uncovers a dark secret that involves dangerously powerful people—a family who would stop at nothing to keep Julia from bringing the truth to light.
About the Book
This is my 250th read book registered on Goodread website, obviously it isn’t my 250th read overall in my life since I’m sure I forgot to add a lot of books to the website but I would like to start this category with this book.
I’m used to Tess Gerritsen’s books, or rather I read her Rizzoli & Isles series thanks to the TV show which introduced me to Rizzoli’s character, so when I saw this book in the “suggested” column of my Kobo account, I said why not? As usual I read the word “violent” in the summary and think it’s a mystery/thriller genre. Oh I was so wrong! At first, coming from a mystery/fantasy book in which supernatural was the key to the book (which I didn’t like) I thought “oh gosh, no! Not another book like the previous one!” but when I started the second part (the first Lorenzo’s section) I was blown away. I couldn’t rest until I finished the book.
All my book reviews are and will be 100% honest. I don’t get paid to write them and I don’t get “gifts” to write a good review so what I write is what I think. If I love a book, I’m going to say that, if I don’t like a book, I will write why I don’t. My critics aren’t an attack to the author, they are just how I feel about a subject or a style. See more in my Review Policy.