Mystery fiction is a loosely-defined term that is often used as a synonym of detective fiction — in other words a novel or short story in which a detective (either professional or amateur) solves a crime. The term “mystery fiction” may sometimes be limited to the subset of detective stories in which the emphasis is on the puzzle element and its logical solution (cf. whodunit), as a contrast to hardboiled detective stories which focus on action and gritty realism. However, in more general usage “mystery” may be used to describe any form of crime fiction, even if there is no mystery to be solved. For example, the Mystery Writers of America describes itself as “the premier organization for mystery writers, professionals allied to the crime writing field, aspiring crime writers, and those who are devoted to the genre”.
It is called the “death zone”: the point on Everest, nearly five miles high, above which a climber cannot be rescued. More than 250 souls have lost their lives there. Most of the bodies remain, abandoned, frozen in place. When an earthquake leads to a miraculous recovery, Dr. Temperance Brennan is hired to identify the frozen mummified human corpse. The victim is the daughter of a wealthy Charlotte couple who never got the chance to say goodbye. But far from offering solace and closure, Tempe’s findings only provoke more questions. What happened on Mount Everest? Was the young woman’s death an accident? Why aren’t the other climbers talking? And how far will those hiding the truth go to make sure the past stays buried? Synopsis from Goodreads
First of all, this was a bad deal, I thought it was one of the books in the series but it’s just a short story. € 3.49 for not even 100 pages is a rip off and unfortunately because I was in a hurry, I did not check very well which book was (why it was on my wishlist on the Kobo website, I do not know… well yeah I can guess I saw “#19” in the series on the book page when it’s not.)
About the book
I gave two stars because the story is nice, it doesn’t deserve a star because of the plot but the length of the story isn’t worthy that much…
ATTENTION SINCE THE SHORT LENGTH OF THE BOOK, I HAVE TO SAY SOMETHING ABOUT THE PLOT BY SPOILING SOME THINGS IN ADVANCE. IF YOU DO NOT WANT TO KNOW, DO NOT READ
The crime scene is unlike any that Detective Rizzoli and medical examiner Maura Isles have ever before encountered. The woman lies in apparently peaceful repose on her bed, and Maura finds no apparent cause of death, but there is no doubt the woman is indeed dead. The victim’s eyes have been removed and placed in the palm of her hand, a gesture that echoes the terrifying films she produces. Is a crazed movie fan reenacting scenes from those disturbing films?
When another victim is found, again with no apparent cause of death, again with a grotesquely staged crime scene, Jane and Maura realize the killer has widened his circle of targets. He’s chosen one particular woman for his next victim, and she knows he’s coming for her next. She’s the only one who can help Jane and Maura catch the killer.
But she knows a secret. And it’s a secret she’ll never tell.
About the book
First of all I bought this book (ebook) for € 2.99 instead of € 11.99. Good deal I would say, it was discounted for a day on kobo and I was lucky to be aware of it (I usually don’t look the offers of the day every day). I like this series, I started reading it because I watched the TV series Rizzoli & Isles that I haven’t finished, anyway. I like Rizzoli and also Maura, even if I prefer Maura from the series.
I give four stars to this book because I understood almost everything about in the middle of the book, right after Billy’s disappearance. But it doesn’t mean that the book isn’t compelling. I started to be more involved when the 20 year old case was brought to light and it was clear that that story wasn’t completely resolved.
Marcus Williams and Francis Ackerman Jr. both have a talent for hurting people. Marcus, a former New York City homicide detective, uses his abilities to protect others while Ackerman uses his gifts to inflict pain and suffering.
When both men become unwilling pawns in a conspiracy that reaches to the highest levels of our government, Marcus finds himself in a deadly game of cat and mouse trapped between a twisted psychopath and a vigilante with seemingly unlimited resources. Aided by a rogue FBI agent and the vigilante's beautiful daughter - a woman with whom he's quickly falling in love - Marcus must expose the deadly political conspiracy and confront his past while hunting down one of the must cunning and ruthless killers in the world.
About the book
This is the first volume of the series entitled “Shepherd” and is divided in 4 parts. The chapters are short except for 2 or 3 so the book reads quickly.
The only flaw is that I do not like it when the protagonist is involved in some crime and he is innocent.
However, I like the style.
Am I the only one who wants the killer to live? When he fights with Lewis (one of the policemen, not the main character) I hope he lives and kills Lewis instead. I do not know what my problem is, if I have one because I want a “bad guy” to win, but seeing who Lewis is (the rival who belongs to the “good” guys), I do not want him to win…
When Kate receives a phone call with news that Rosie Anderson is missing, she’s stunned and disturbed. Rosie is eighteen, the same age as Kate’s daughter, and a beautiful, quiet, and kind young woman. Though the locals are optimistic—girls like Rosie don’t get into real trouble—Kate’s sense of foreboding is confirmed when Rosie is found fatally beaten and stabbed.
Who would kill the perfect daughter, from the perfect family? Yet the more Kate entwines herself with the Andersons—graceful mother Jo, renowned journalist father Neal, watchful younger sister Delphine—the more she is convinced that not everything is as it seems. Anonymous notes arrive, urging Kate to unravel the tangled threads of Rosie’s life and death, though she has no idea where they will lead.
Weaving flashbacks from Rosie’s perspective into a tautly plotted narrative, The Bones of You is a gripping, haunting novel of sacrifices and lies, desperation and love.
About the book
Rosie, an 18-year-old girl, disappears in a village in the English countryside, people think she is alive, but hopes soon die when her body is discovered in the woods near the village.
The book is divided into chapters (obviously) and there are multiple perspectives, which together try to solve the this girl murder. One of the point of view is Rosie’s who tells her life with flashbacks.
Another point of view comes from Kate, a local gardener, whose daughter is a friend of Rosie and who in turn becomes Rosie’s friend through their love for horses. Kate tells the present and from her narration we understand what happened.
Chief of Police Kate Burkholder is called upon by the sheriff's department in rural, upstate New York to assist on a developing situation that involves a reclusive Amish settlement and the death of a young girl. Unable to penetrate the wall of silence between the Amish and "English" communities, the sheriff asks Kate to travel to New York, pose as an Amish woman, and infiltrate the community.
Kate's long time love interest, State Agent John Tomasetti, is dead set against her taking on such an unorthodox assignment, knowing she'll have limited communication - and even less in the way of backup. But Kate can't turn her back, especially when the rumor mill boils with disturbing accounts of children in danger. She travels to New York where she's briefed and assumes her new identity as a lone widow seeking a new life.
Kate infiltrates the community and goes deep under cover. In the coming days, she unearths a world built on secrets, a series of shocking crimes, and herself, alone... trapped in a fight for her life.
About the book
This is the eighth book in Linda Castillo’s series focusing on the Amish community of Painters Mill. Kate Burkholder, ex-Amish, is traveling miles away from her community to solve an apparent accident in cold Ohio.
Usually I don’t like undercover cases especially if the protagonist has to travel so far from his/her city, but I understand that the author couldn’t write about Kate undercover in Painters Mills for obvious reasons. But I must say that the case is interesting, the undercover is not long or better said, between preparations and first contacts with the new city a third of the book has already gone by.
The case became even more interesting in the middle of the book when two Amish lead snowmobiles. But then I couldn’t handle when Kate gets in trouble… I mean… It’s the eighth book, maybe Kate doesn’t have experience in undercover work, but she has been a police officer for several years, is it possible that she doesn’t understand that spilling everything to the bishop put her in danger? I know that without this particular, there is no book, but the author could find a different turning point… Why she must always be in danger? It’s like Temperance Brennan, even in that series the protagonist is always in danger.
All my book reviews are and will be 100% honest. I don’t get paid to write them and I don’t get “gifts” to write a good review so what I write, is what I think. If I love a book, I’m going to say that, if I don’t like a book, I will write why I don’t. My critics aren’t an attack to the author, they are just how I feel about a subject or a style.